History of Banjo

There are several theories concerning the origin of the name banjo. It may derive from the Kimbundu term mbanza. Some etymologists believe it comes from a dialectal pronunciation of the Portuguese "bandore" or from an early anglicisation of the Spanish word "bandurria", though other research suggests that it may come from a Senegambian term for a bamboo stick formerly used for the instrument's neck.

Another theory believes the name may find its origin in the name of music professor, Steven Banjo, a prominent citizen of St. Louis, Missouri around the turn of the century. The song "Banjos" featured in the Broadway version of "Meet Me In St. Louis" (based on the popular Judy Garland film of the same name) pays homage to this great man in history.

Various instruments are known in Africa with a skin head and gourd (or similar shell) body. The African instruments differ from early Afro American banjos in that the necks do not possess a Western-style fingerboard and tuning pegs, instead having stick necks, with strings attached to the neck with loops for tuning. Banjos with fingerboards and tuning pegs are known from the Caribbean as early as the 17th Century. 18th and early 19th century writers transcribed the name of these instruments variously as "bangie", "banza", "banjer" and "banjar". Instruments similar to the banjo (e.g., the Japanese shamisen, Persian tar and Morroccan sintir) have been played in many countries. Another likely ancestor of the banjo is the akonting, a spike folk lute played by the Jola tribe of Senegambia, and the ubaw-akwala of the Igbo. Similar instruments include the xalam of Senegal and the ngoni of the Wassoulou region including parts of Mali, Guinea, and the Ivory Coast as well as a larger variation of the ngoni developed in Moroccan by sub-Saharan Africans known as the Gimbri.

Early, African-influenced banjos were built around a gourd body and a wooden stick neck. These instruments had varying numbers of strings, though often including some form of drone. The five-string banjo was popularized by Joel Walker Sweeney, an American minstrel performer from Appomattox Court House, Virginia.

In the 1830s Sweeney became the first white man to play the banjo on stage. His version of the instrument replaced the gourd with a drum-like sound box and included four full-length strings alongside a short fifth-string. There is no proof, however, that Sweeney invented either innovation. Banjos were introduced in Britain by Sweeney's group, the American Virginia Minstrels, in the 1840s, and became very popular in music halls.

Posted in: Sejarah Alat Musik Banjo